That would be a better title than Song to Song if only Malick understood that sexual compulsion and the spiritual hunger it masks were no longer avant-garde subject matter. (Perhaps he means the Old Testament’s Song of Songs.) Josef von Sternberg and Michelangelo Antonioni also got there before him. Malick and cinematographer Emmanuel Lubezki are talented enough to recall those masters, but their undisciplined sketchbook-improvisatory style doesn’t come close, it’s just picture-taking. Malick makes the amateur’s mistake of evoking art beyond his capability — not just the distracting cameo appearances by John Lydon and Patti Smith but especially the excerpt from Dimitri Kirsanoff’s Ménilmontant (1926), perhaps the most intensely violent, sexual, and emotional movie ever made about mankind’s fall from grace.
Another interesting thing about Hathor is found in one particular Egyptian tale - when the hero of the story was born, the 'Seven Hathors', disguised as seven young women , appeared and announced his fate. They seemed to be linked with not only fortune telling, but to being questioners of the soul on its way to the Land of the West. These goddesses were worshipped in seven cities in Egypt: Waset (Thebes, Egypt), Iunu (On/Heliopolis, Egypt), Aphroditopolis, Sinai, Momemphis, Herakleopolis, and Keset. They may have been linked to the Pleiades in later times, but this is debated. Hathor herself was known as "Lady of Stars" and "Sovereign of Stars" and linked to Sirius (the goddess Sopdet ). The day that Sirius rose (originally on the first day of the first month, known as Thuthi by Greek times) was a festive occasion to the followers of Hathor - it was the day they celebrated her birth. By Greek times, she was the goddess of Hethara, the third month of the Egyptian calendar.
Generally, Hathor was pictured as a woman with cow's horns with the sun between them (giving her the title of 'Golden One'), or as a beautiful woman with cow's ears, or a cow wearing the sun disk between her horns, or even as a lioness or a lion-headed woman showing her destructive side. It was only in later Egyptian history that she was shown as a woman with the head of a cow.
Hathor often is seen carrying a sistrum, an ancient musical instrument played by the priestesses. The sistrum usually had the face of Hathor where the handle adjoins the rest of the instrument. This particular instrument was thought to have sexual overtones, relating to fertility. Hathor has a rather odd title, "Hand of God". This might be related to how the handle of the sistrum is held, just as the relationship of the loop ajoined to the handle (the naos) might be related to her title of "Lady of the Vulva"!
Hathor was also known as the "Great Menat". The menat , a necklace with a special counterweight, is not actually jewelry - it is a musical instrument sacred to Hathor! The counter piece is similar to the fertility dolls found in ancient tombs, while the beaded necklace was believed to represent the womb. It was held in the hand and rattled to convey the blessing of the goddess.
Hathor was also the "Lady of Greenstone and Malachite" and "Lady of Lapis-Lazuli", presiding over these materials as well as being a goddess of the fringes where they were mined. (Malachite is a banded light and dark green semi-precious stone that was ground up and mixed with eye make up. Lapis-lazuli adorned many pieces of ancient Egyptian jewelry. This fits in well with Hathor's role of a goddess of beauty.) She was a goddess of the west, and a goddess of Punt and Sinai and so was a goddess of far off places. This is perhaps why Hathor was also known as the "Lady to the Limit" - the Egyptians believed her to be a goddess who ruled over the known universe!
She was said to be the mother of the pharaoh, and is often depicted in a nurturing role, suckling the pharaoh when he was a child. Other than the pharaoh - a living god - Hathor was believed to have a son with Horus-Behdety (a form of Horus the Elder) known as Ihy (Ahy, Horus-Sematawy, Harsomtus), a falcon-god and child-god of music and dancing who carried a sistrum. The three were worshipped at Iunet.
My majesty precedes me as Ihy, the son of Hathor
I am the male of masculinity
I escaped from her blood, I am the master of the redness.
-- Clark, . 1960, Myth and Symbol in Ancient Egypt , p. 88